#I didn't even have 10 original posts

[superlc529]

2024 Tumblr Top 10

1. 41 notes - Nov 24 2024

2. 39 notes - Aug 18 2024

3. 14 notes - Jul 7 2024

4. 12 notes - Apr 28 2024

20 Questions for Fic Writers

5. 11 notes - Nov 17 2024

6. 5 notes - Mar 17 2024

7. 4 notes - Apr 28 2024

8. 2 notes - Aug 25 2024

9 People to Get to Know Better

Created by TumblrTop10

[whatudottu]

Hello and welcome to the 'make alien designs a little more alien' redesign portion of the drawing spree, this one comes at the end of the 12 hours not because I wanted to finish at a round 12 hours but because my pen died halfway through my last drawing of the night and this was the last completed drawing- I made necrofriggians/Big Chill more moth-like :)

Going from the bi-quad shoulders of Rixie I gave Chill those same arms and since he's significantly more bug-like it looks more buggy rather than quadrupedal, plus I gave him a little thorax. Fur of course was an obvious edition to the base of his wings (nice insulation) but I also modified his anntenae to be of the fluffy variety and have like a fur hood :P I didn't want to significantly change his proportions since the cloaked figure is such an iconic look for him so I kept that in mind-

And of course I gave necrofriggians pedipalps who do you think I am

[torchickentacos]

ok it's been long enough since I saw this post floating around that I can comfortably complain about it now lol. RE: 'video games do cause violence'. This is what I mean when i say that some tumblr leftists are ending up back at right-wing talking points and frameworks again through 'save the children'-isms. Well-meaning discussions about glorification and depiction have landed some people back at 'if your son plays grand theft auto then he's going to be a violent criminal'. This is the same kind of thinking that lands people at 'drag storytime at the library is turning the kids queer through sheer exposure', imo.

Also, what 'rejiggering'? If you have to 'rejigger' the basis of your argument for it to work, then it might not be a very good one. Like, yeah, the statement 'all fish are red' can be true if you tweak the definition of 'fish' to mean exclusively red snappers, but that's disingenuous. Idk. It's just annoying because there ARE discussions of merit to be had with this topic and there is nuance, but especially in this political climate, I'm not happy with people leaning into 'what you expose kids to in their entertainment is going to turn them [xyz]'. I feel like we have some pretty clear examples of that line of thinking harming marginalized communities in a very direct way.

[harringtonesque]

sims 3 vs sims 4 articles are so funny they're all like:

sims 3 has this super cool feature! but sims 4 runs better. sims 3 has this other different super cool feature! but sims 4 runs better. sims 3 has another other super cool feature!! but sims 4 runs better. which is better? wow that's a really hard question haha they're both good you know? because sims 3 has all these super cool features. but sims 4. sims 4 runs better.

[averlym]

(it hurts it hurts it hurts )

[seaofreverie]

I listened to a new Sparks album and it was all I could think about for two weeks straight afterwards, a.k.a. My Hello Young Lovers Review

Okay, so here's my fabled review (I mentioned having written it once about three months ago, so I guess there's a chance that someone still remembers that). It's hecking long (seriously, it's long.) and consists mostly of me pointing out specific sections of the songs and raving about which specific elements of the songs I particularly like. And also attempting to make some sort of general statement on the style / atmosphere / themes etc. of the whole thing. I wrote this back in november, after 5 full listens of the album, over the course of about a week, and I didn't update it with any new opinions that I have formed since, to keep it true to that original form, besides some side notes where I thought they'd be useful to add. I hope you enjoy my yapping, however unprofessional and all over the place this whole thing probably is.

How to start album reviews? Well, I could sum up the general vibe / thing / feel / theme with the album but that seems much more fitting for the conclusion of the whole thing.

So let's kick this off with the first thing we see instead!! The album cover, the sleeve! (note: I got this album on vinyl for that first listening experience, the 2022? reissue) Ohh so pretty and cute, isn't it? Even inside, so much pink, even over-the-toply-so (for real though, I didn't even really think about what to expect from the inner cover, besides some photos that I knew would be there, but it was certainly not THIS. level of pink and cute), it looks so pleasant and sweet, doesn't it? And the band photos too, fun times all around!

Oh wow, ok, let's get back to reality here, I knew what I was in for (knowing just one track and excerpts of other two + reading misc comments on the album before already, as it is inevitable, you know. And frankly, that was actually the exact right amount of info from that commentary for a peak enjoyment here. Not going in totally blind but still encountering many surprises). This is a prime and, imo, very well executed example of mood dissonance. In a way where, idk, maybe it comes from me still having this even small amount of info beforehand, but it's the kind of situation that you can actually tell that something is off.

So yeah, the visual aspect of the album does fit it and I'd even say it does so VERY well, but as to how and why, maybe I should start exploring the atmosphere and themes and elements of individual songs first so we can make more general conclusions from that! So yes, I think it's time to dive in!

1) Dick Around ▪︎

Shortly put, amazing, showstopping and life changing song. And one of the earliest ones for me too! As a part of the extremely important and memorable playlist (note: my first time hearing a bunch of random popular sparks songs), it appeared somewhere in the latter half on the mix and oooh boy, was hearing this song for the first time, on the road in the dark evening too, an experience. I certainly found it intriguing to say the least, maybe I wasn't yet completely SOLD you know, and let's not forget that the second time I heard it (july) it actually kind of freaked me out in a way, but still, it certainly made an impression immediately. There's a reason this is one of the more well known / popular / important songs of theirs overall. This song is truly a journey and it messes with you in so many ways, oooohhh so many ways. I was super looking forward to hearing it again properly after being teased with some parts of it in the more recent weeks, so ok, maybe this is where I get to the individual parts I want to talk about.

Actually wait, first let's maybe say something about the placement. Of course it's the first song as I was pretty much certain it would be (and maybe already had kind of possibly spoiled..?), and it does work incredibly well as a mood-setter for the rest of the album, so it truly couldn't work any other way in my view. So yes, speaking of parts, there are so many different ones! Hearing this again was extra fun also because I would remember the main "point" / mantra of the song ("all I do now... is dick around") but not much else, then be reminded of another notable but very different part, then listen after this whole time properly on pretty much repeat now and be aware of those other little touches and bits that bring it all together...

So, let's start with the pleasant vocals & piano break near the beginning, it's, well... I just really like it (I hope I'll be able to say more specific things about other elements in these songs that I think need to be mentioned as I go on LOL), and right after that we have some very nice strings, then, suspenseful strings!! Idk why but I really really like it when those come in, they really set the unnerving classical tone that follows and returns throughout the album, then the same "calm" / bouncy vocal melody and a more "all over the place" piano returns (at least from what I remember, the notes are sort of more expansive in range in this part I think...). And soon enough... we reach the real moment of the song when it gets, well, real. And very intense. And this is almost jumpscare-like, ohhhh it's so good, even when you know you can expect it it still hits the spot amazingly.

So this is the rocking part that's honestly pure distilled joy and amazement to hear for me each time, the repeated echoey "hey hey"s for a second there are just the icing on the cake, so so so good. And, in fact, it doesn't get more rocking than this for the rest of the album. Dissappointing? Maybe it WOULD be, if there weren't other things still going on later, which were also in their own ways showstopping, so I think that yeah, those can make up for all that follows not really coming close to this level of unhinged. And this is the right word here I think, unhinged!! Damn, this freaking song. Like for a second there I remembered that in one of my early-ish hearings I just found it almost uhhh, unbearably raw? Idk if it's the right word but yeah, it gets... ugly for a second (I need to stop cringing at every more unusual / to the point word I use or I won't be able to write any genuine reviews in my life). Before going back to the main mantra of course! And then it goes on in a circle a bit more again, with more changes and some progression of the story and all that. And end on the mantra again. I don't know if I'm leaving out any super important bits here, I might be... Well, it comes back to full on rocking near the end too, with some variation too, so that's awesome! And very suspenseful and unnerving strings too for a moment!

So, should I talk about the lyrics / the story just a bit now? Ok, I won't go super deep into these or any of the following ones, I'll try to focus more on specific bits and the feelings that come with them and a general "theme" if anything. So, I think this song and its story is very engaging and I like it a lot and it certainly provokes further thoughts and ponderings, those 6 and a half minutes fly by super fast (guess that's just the power with sparks and their long songs, it's kind of incredible how maybe this goes ESPECIALLY for songs that rely a LOT on repetition, because those might work this trend the best), lots of variation, while still keeping some prominently repetitive / reoccurring parts balances it very well. You're really just thrown from one part to the next with this song. Ok, I wrote a lot about just one song and I feel like there's still more I could say if I thought about it hard, but let's move on now, we don't have all day (night)...

2) Perfume ▪︎

This is a favourite. An instant favourite. Right away this song grabbed me with its subdued, brooding and honestly pretty dark tone and sound. Low vocals, kind of ragged but driving guitar sound, and the DRUMS. They do SO much for this track, something about this specific drum pattern / style is very pleasant to me, very atmospheric. It's like a specific pattern that works to deliver some kind of effect (ok, I think through that, in a way, I just described the whole thing with repetition in sparks' music, especially in this era, nice, I guess that's how I view it and why it works so well) there's still a lot of interesting stuff going on there, plus it just sounds nice, idk. Once again, maybe "driving" is a good word for it. But now I need to mention that there is this one odd-one-out part that sounds much more cheerful, or maybe hopeful (and it returns again near the end). Because it has this specific thing, the different intonation of the SAME lyrics than the rest of the song ("and that's why...") feels strangely emotional. It certainly hit ME in the feels once I noticed it, so, yeah!!

So I think this is one of the darkest songs in mood and sound, while it also has something extremely COOL about its sound that I can't really categorize, I think I'm gonna feel like repeating this for every other song on the album but it just feels so CLASSIC, it's that typical song that always existed type of feel, yeah. But here it's less so due the melody necessarily, and more due to the whole picture. With some others it's also the song as a whole of course but they don't necessarily feel as much as a representation of a whole THING / genre / type of song / feeling in music of sorts (I'm really bad at articulating my exact views on these, am I not...) rather than those specific special moments that just bring it all to the next level. But OHHH I can't believe I almost forgot this, but the piano lines (I mean the post-chorus ones specifically) in this song, oh my goddddd!!!!!!! They're truly THE thing that sold me on this song completely, they're just so... something. So I guess this song also has that special "it" moment after all, doesn't it? Well, still possibly not quite as prominently as the next one, because...

3) The Very Next Fight ▪︎

Well, this is the kind of song that's completely made up of those specific parts making a very special whole. Starting with, of course, that melody line during the chorus "it's always the same. It's always the same". But maybe, just to be fair, I should actually start with where the song actually starts so, well, hmmm, the beginning. The very solemn piano and overall kind of heavy atmopshere here kind of slows down the momentum after the first two songs, and it delivers something quite different instead. So yeah, well, that chorus melody!! Oh wow!!! Isn't it so simple though? But it works so well!! It's simply beautiful honestly. It absolutely is! And later the electric guitar comes in for more effect and oh wow, it feels so incredible, yeah. And then some more solemnity with the... I think harpsichord?

This track feels very empty (as in the atmosphere, I'm not actually calling it empty as a bad thing or something like that, no no no!!) in some parts, then it has those emotionally charged bits, and let's not forget that it has some more really amazing guitarwork near the end. That kind of guitar "wailing" sounds beautiful in its own right too, it also kind of reminds me of some other rock-adjacent genre(s), I can't tell what exactly though...

4) (Baby, Baby) Can I Invade Your Country ▪︎

In all honesty, after my first listen I decided that this was probably the song I was the least impressed by? Kinda strange, yeah, because I no longer think that, and yeah, it was another one that I was only slightly familiar with already. Very slightly. It's a very interesting song once again, I think it's really unique after some thought actually (as are most all of the songs on this record tbh, obviously). It's unique, but it once again has this special classic quality to it that just feels like it represents a very specific type of sound.

I wanna say that the chord progression in the chorus might be some variation of one of the "usual" progressions although OF COURSE I might be very wrong here, it's just the feeling I get because maybe it's worth mentioning that 1) a while ago I started noticing this one type of progression in songs that made them sound very similar to Kiss Me, Son of God (They Might Be Giants song), so I figured it must mean that KMSOG is just in some kind of typical progression that is used a lot, especially in country-sounding songs from my experience 2) there was also an element of some classic rock / rock&roll (?) / punk (??) songs that also made them sound very alike after a while when I started listening to this one internet radio station recently, idk if it's the same progression or its variation or if all those songs use different variations mostly but are still based on a very similar thing at the end of the day, but yeah. I might still not understand chords or be able to catch them while listening, but there's now at least a little part of that whole section of music theory that I might be able to recognise in music just by myself, so that's some major music literacy development on my part I think... Anyway, maybe the progression in this song didn't even remind me of that usual pattern specifically, but it just made me think of that thing nevertheless, maybe it's similar, maybe it's not... So this was kind of an irrelevant tangent on my part, oops.

So ok, let's get to the jist of this... What exactly I like about this song and such, or just what I wanna mention. Well, I wanna mention that this is probably one of the more repetitive songs, also one of the longest I think, maybe the third longest, I wouldn't be surprised by that (the opener and closer are both pretty tough competition in the length department) but it doesn't feel monotonous, it flies by super fast, once again.

I think it's also possibly the brightest sounding song on the record, the word that immediately sprung to mind here is "triumphant". Certainly fitting with all those awesome horns!! They're truly what really sets this song apart. I'm especially a fan of the horns in the bridge part, I think it's the bridge. Sooo so cool sounding, kind of "descending". I also really like the layering of the different vocals and their melodies and such, the acoustic guitar also brings it all soooo nicely together, it's so pleasant sounding, especially in the quieter "baby, let's invade" part.

Idk what else to say, very awesome song though and I definitely don't mind listening to it twice (with the repeat as a bonus track, which I'll also get to briefly at the end) at all, in fact this might be the least "intrusive" song in a sense, so that makes the best choice for a repeat, if I had to choose, I could see myself going with this one, it's just very pleasant all around.

5) Rock, Rock, Rock ▪︎

So things get real once again, huh. This is one of the songs that I count in the category of kind of sick and twisted but in a way where I only respect them more for making it, so that puts it right next to, hmmmm, sherlock holmes for sure, maybe some others I can't think of right now. Big part of that factor is surely played by the repetition which just works, well, very well. Specifically the choruses.

One part of this song I was pleasantly reminded of on my first few listens were the short strings interludes, they really give it some of that pleasant classical feel (a separate thing from what i describe as classic feel here!) that I could say kind of contrast with the song and its atmosphere in general. Or maybe spruce it up, idk, we do have very dramatic strings during the verses too... The very deep drum sound is also pretty prominent in this track I think, pretty great.

As to some more notable parts in the vocals department... Let's just say that the way Russell says some words is very, uhhhhhh, effective (i think this sounds more cursed than it should, but i mean exactly that, the delivery just really hits you... and other times it's kind of silly instead). And also, with that repetition and it creating something great in mind, there's the repeated "and since you put-" part near the end that's also really great. The repeated "I"s in the bridge I think also need a mention. It's like they know exactly what word / phrase to repeat, what amount of times, and in which part of the song for it to work the best, like the perfect placement and number.

I think this song also has a bit of a fake ending, so that's also something of note, especially when it's supposed to sound as dramatic as possible (at least that's the idea I get from it). And actually, oh, so does the previous song! I forgot that part even though it's even more noticeable / memorable in that song than it is here imo.

6) Metaphor •

Second half of the album starts off with something that's very elegant and all the while very pleasant and melodic, all of which makes it a very nice track, even in a more usual pop song sense. Some very cool piano to start things off, and the electric guitar accompaniment, which also enters pretty early on. And then we have that slightly more strange part, kind of like an early bridge, that honestly has a bit of a comical effect imo (with no disrespect intended!!)? As in, I find it kind of funny and silly personally. Yeah, the "who's up for a metaphor" part, especially when we get the repeated "don't don't"s and "we we"s, and, well, what follows is what's definitely the greatest part(s) of the song, when Russell enters his falsetto mode and we get the "aaaaa-ªªªªª..." etc. backup vocals in choruses. Those are the moments of the song that are just, well, ONCE again that classic factor that makes the melody & everything else super special. But more specifically, I think those parts are just kind of beautiful. Yeah, I'd say this song is the prettiest in sound that this album gets overall. Truly wonderful and gets you excited for the remaining songs.

Meanwhile, the spellings of dig as d-i-g might feel kind of random I guess? But it works. Adds variety or whatever (note: it's also a very good moment of a rhythm change I believe, I think now that's what makes it sound as cool and satisfying as it does). So yeah, kind of a heavenly song I think, in a sense, also one of my top faves just for that factor (note: this song is now probably my favourite on HYL, and also among my top fav Sparks songs overall. It wasn't instant, but it grew on me quickly and oh man, I truly love this song so much now)

7) Waterproof •

I think this is kind of an odd-one-out actually? And why? I think it's probably the closest on the album to being sort of a fully, or at least MOSTLY, "normal" song. It doesn't have so many parts that are just downright weird and unexpected I'd say, it's just kind of friendly instead compared to the other ones (note: it took me perhaps too long to realize that this song just doesn't have quite as much repetition, which most other songs here rely on heavily, so that's definitely what makes it stand out the most). Not that it's an entirely bad thing! Sometimes you gotta slow down and relax a bit I guess...

I do appreciate the kind of sudden switch with the "the sky is starting to cloud up" part, and the little orchestral bit right after the first time the aforementioned switch happens (the second? or generally some later time it happens again there are also some very awesome horns! Really starts feeling like a quaint rainy street in some french town or something...) when, well, I was going to say that the vocals and the strings do the same melody, but they actually don't, at least not fully, still though, I did have that illusion before I made sure it wasn't the case with another relisten, either way, when it DOES happen, and Sparks do that a whole lot I feel like, it's always quite awesome, I mean, syncing the vocal melody with some other prominent intrument's melody...

The I think harpsichord also makes a return, yay! And then there's the guitar part, that does have some real surprise factor when it comes in, but this time for sort of the opposite reason - it sounds bright and nice this time around, and also it reminds me of Sparks' later style tbh, specifically in their following more rock-centric songs of course. And I think that's very nice, we see the always progressing evolution of their sound here I think. That guitar bit also has some album closer vibes, that kind of fake closer (or nearly-closer) situation kind of reminds me of a similar thing I experienced with Bon Voyage on Propaganda for example (note: I have since learned that Bon Voyage IS the closer on Propaganda, and the following two songs on streaming are just b-sides. So it makes sense that it would sound like an album closer because it IS one).

Annnddd the last thing that I just can't forget about here is Russell's another epic falsetto moment (waterwatereverywherebutnotadroponme!~) that part actually makes me smile. Yeah. Legit. I paid attention and I did smile on that part during my relisten today. ... Ok, let's go on.

8) Here Kitty •

When this song came on the first time during my vinyl listening I of course instantly knew exactly which song it was (bcs I've heard the title before, and a few words on it too) and had this little amused "oh no" moment. And, well, turns out this song is actually very awesome and veeeery interesting! It adds something really unique to the album. I saw someone call it quite impressive in the vocals / vocal lines layering department recently (in the last week, so already after hearing it myself I'm pretty sure) and I absolutely agree.

First off, let's settle that - this is a very strange song. But that's exactly what makes it so good of course. The strangeness keeps you so distracted from this fact, that when we reach the bridge of the song you suddenly realize that beneath all the "tatata"s, meows and unsettling rising piano notes we have the very much usual song structure with verses and choruses. Yeah, I think I actually sort of figured it out, what might be the verse, and what might be the chorus... Speaking of which, the parts that I identified as choruses have this, well, it's the same thing all over again (but each time the specialness comes from a different place and is totally different of course), but that very classic feel, indicative of maybe even some specific genre but idk what exactly...

Besides that, well, maybe let's go back to my oh no moment for a minute, and let me say that I either am very illiterate in that sense (and yeah I am tbh) or the lyrics aren't as overtly, let's say, innuendo-filled? as I expected. They actually have a semblance of a story you know... I mean, NO, not even a semblance, it IS a story! Let me also say that this is a very interesting song to have stuck in your head a lot over the course of pretty much an entire week. Yes, it got to the point where it could be annoying. One last bit of the song I really like is at the very end, when one vocal line starts to sound kind of echoey / distant, nice touch.

9) There's No Such Thing as Aliens •

The song that first cemented itself as being by far the shortest song on the album, sort of an interlude before the incoming epicness of the last one (that was quite literally my very first impression before I even heard either, looking at the vinyl this one was visibly much shorter than the last, and of course I expected the last one to be fittingly grand, and so it was obviously, but we'll get to that in a minute). The funny thing is, it's not even that short, as I figured even before eventually making sure how long it was in fact, and that's almost 3 minutes, which, well, of course that's still something around well over two times shorter than the last song.

But enough about its length, this song actually does kind of work as an interlude thematically too, which it is? it sort of even feels like it doesn't quite fit with the themes of the other ones, I mean, maybe not that it doesn't fit but just that it's defintely the furthest removed from the much more similar topics of the other ones (more about that also later!). Plus it's pretty sparse lyrically, once again, there's less you can fit in under 3 minutes anyway. Which supports the interlude argument also I believe.

Anyway, the music. First of all, waltz time!! Always a treat in sparksland to have that rare spooky 3/4 time track. The feeling I get from this track is: grand, very orchestral, anddd, hmmmm, elegant. But is it more elegant than the rest of the album... Idk, I wanted to use 3 different descriptors. I honestly don't think there's much more to say about this one, it's great, the melody is really great, the grandiosity of the choruses, the even more notable waltz time during verses. I think that yeah, I could pick this track as the most orchestral / classical inspired of the album. One cool moment I'll mention though would be the very ending, with the repeated "no"s going for longer than you'd expect them to maybe, and the deep drum accompanying all that. Very grand ending.

10) As I Sit Down to Play the Organ at the Notre Dame Cathedral •

Well, how do I even start on this one. I think I can say that with literally each single listen I become more and more in awe of this song. Could I even call it even more of a journey than the opener? In a sense, yeah. There's so much going on here. So much that I almost feel like breaking it down into individual parts and giving all of them their due because they all work for the amazingness of the whole. In fact, I might even already have this track roughly memorized (all... 7 minutes of this track) so it could be done. But ok, I'll just go with each part as I remember it, we'll see if I in fact do go over nearly all or all of them.

So. Echoey synth (?) intro, then the first melody part, with the individual words repeated, kind of "urgent" vocals part, very nice rhythm and something I just find very cool. As it progresses we get another part of just the synth / electric guitar-like synth / guitar or whatever this thing is, then a mix of both + this clicky instrument and / OR is it the harpsichord again? Giving it all more urgency and a nice constant rhythm. I also really like when the "byebyebye" vocal gets looped before the synth reenters. Overall, this part of the song has a very electronic, drony feel that I greatly enjoy and find very atmospheric and immersive already.

But, well, it doesn't end here. Because later, everything else stops and we hear a church organ. Even the melody it enters with is very much like something you'd hear in a cathedral, indeed! Good environmental storytelling, isn't it? But then... the organ transitions into this very very cool frantic melody (and by very very cool I mean that it's probably the #1 thing that stood out to me about this song right from the start) which returns consistently throughout the song and is just oh so very awesome.

So we enter the next part, what could probably be called the central part "as I sit down to play the organ...", tension is rising, the organ is doing its thing in the back, then some "hallelujah"s and BOOM! The chorus? The "I've got faith" part of course. And with it some epic strings, and I don't think I can really say what exactly it is about this part that makes it SO FREAKING GOOD & ABSOLUTELY SHOWSTOPPING but it's easily in my top 3 moments on the album at least. Then it's followed by the slightly considerably calmer "she's here..." section and we go mostly full circle for now, more variations on the same parts. Some grandiose "lalala"s & epic drum action too. And then, the "I believe" sections which I cannot let myself neglect, mostly just on the basis of them being kind of sickening to me. You know, in the "why did they do this (said respectfully)" way.

Ok, did I really just talk about all of the individual parts, I guess so. But before I move on I have to mention the moment when the very first major part, the "bye-bye-bye my baby" part, makes a sudden comeback. It's honestly just so good and satisfying, when completely different sections switch and make unexpected (or maybe you actually DO expect them on some subconscious level, and that's what makes them work so well??) returns like this, if a song has that it's very likely it will become a top top favourite or at least have a very big effect on me. Or even HUGE effect, like here.

So yeah, the song does eventually end (I mean technically unbelievable somewhat, since it's so long, but have I actually mentioned yet that this track goes by about just as fast as the first one, because it sure does, you do not notice the time passing WHATSOEVER) on some more "hallelujah"s. And the album's over. Wooo boy.

Bonus tracks

Well, it's not really over yet if it's not the vinyl but the streaming version. We still have just two more bonus tracks, technically just one? So I'll go over both quickly now for completion's sake.

First we have "We Are the Clash" which is a pleasant song for sure, can work as kind of a denouement after the crazy journey of the previous track, so you're left on a little less of a mood unresolution and can become a little less unsettled after all of this going down... Idk.

But yeah, I actually have this impression veering on pretty strong conviction that this song is a cover actually. It could even be a cover of the band whose name is mentioned in the song, which would put this version in a extremely funny area of how far stylistically it might be from the hypothetical original, if it exists (what's up with all these bands and their "we are the [band name]" songs, there's so many). Of course I could also be very wrong about this so all I just wrote could turn out to be absolutely hilariously off target, still, a fun little attempt at guessing things and connecting ideas on my part, whatever the truth turns out to be (I will learn the truth... in due time. My experience tells me that when I'm still fully in initial unwell mode over an album it's difficult for me to read and retain any outside information / commentary on it. So no need to rush it, heh) (note: yeah I was right for once. I meannnn I guess it was obvious anyway but still, let me have this, I've been fooled by assuming that a cover was someone's original song way too many times so I'm happy to not be fooled for once).

So ok, the last last track. Baby baby can i invade your country is baaaaaack, not much to say but it's pretty much the same other than the lyrics, since well, it is the "alternate lyrics" version, not "alternate" version. I do think that it might be slightly longer than the final version though but it's also likely I'm misremembering.

Anyway, lyrics, all I can or feel the need to say is that they seem to be definitely way more to the point on what this song's actual topic is (not... invading... countries . I don't need to explain it here do I) so subtlety win for the final one I guess. Just so it is known, I have not read these two songs' lyrics unlike all the main album tracks'. But I think I caught enough to get the main idea from both, you know. I do think also that the final version's lyrics just kind of sound better, idk if it's the rhythm of the words or what but they do just have a nicer flow. So, improvement, probably, still very nice to know this version anyway of course. (note: yeah i have learned since that most of the final lyrics are the US national anthem. Makes sense that if any song were to have alternate lyrics it would be this one)

To round it all up...

I think there's still a lot that can be said about this album as a whole but how do I go about that. Well, I did mention earlier that I'd come back to a) the overall feel / atmosphere here b) the themes / stories and how they connect. So those shall work as a guide to my conclusions part of this whole review.

First off, I could even say a bit about the main vibe / sound here in reference to Lil' Beethoven! Since it really does work as a sequel, at least in sound, by all means. I described LB with stuff like... cold, distant, cathedral-like, what else was there.... Ok, I have more, lifted directly from my LB write-up. (note: finally listening to LB a month prior to this was enough of a big deal for me that I wrote down my live reactions to hearing the songs) Impersonal / detached. Alien. Spacious.

Do those apply here too? I think so, yeah! Pretty much all of these words also feel like pretty good descriptors here. But honestly, the more I think about it.... Maybe it's just that the distance / the detachedness and alienated feeling is a bit lower here? Or at least in some songs more than the others. It's hard to explain honestly.... That similar atmosphere continues here but it's just..... not as pronounced maybe. Idk, maybe it will become clearer with this next point I wanna make which is that LB actually is less, uhhh friendly in sound. Less accessible! Yeah, I do think that this album could be seen as: LB started the experiment, HYL perfected it by taking it in a slightly more accessible direction. Or is perfected a wrong word here, who can say which was, or should be considered the better outcome here.... I think I actually have a problem putting concepts into the right words today. But maybe at least some of my feelings about this can still come across here...

So yeah, I don't think it's possible to tell if HYL is better or LB, it also depends on how you look at it! As it kind of always does when judging stuff per good / better. One thing that I can say sort of for sure though is that LB certainly started ideas / techniques that HYL expanded on and toyed with further, so in that sense, it could be considered an improvement. And so it is clear, I don't think I can say 100% that I like one more than the other. It's not that simple. I guess you could however say that HYL was more of an instant hitter and LB really just grows and grows more in power overtime....

So yeah, they kind of did take the LB concept and all of the avant-garde, experimentation factors that come with it, and made it more accessible, which is a form of art and an achievement and a testament of skill in itself. I think the somewhat friendlier, more palatable approach of this album also lifts off the coldness aspect a bit, but it's still there, especially on tracks 1, 3, 5, 10, off the top of my head.....

But maybe I should talk more about the album and its sound as it stands on its own before I move on though. Maybe we could jump from the words I already used: classic, orchestral, brooding, dramatic, dark, aggressive (yes, I somehow see it as friendlier than its predecessor despite also being much more aggresive in all senses. Raw even. How does that work? I can't tell you today. And idk if I'll ever figure it out. And also personal, YES, that's the word, this album feels soooo very personal and emotive. Not in the sense that I'm trying to say that it must be personal to them, more like it just shows some very personal feelings and struggles), triumphant (but that goes only for that one song really), driving, ELEGANT. I think the word elegant is the key here. In all of its subtler or less subtle tone shifts it keeps that very elegant, kind of graceful feel, all throughout. Even when it seems to be touching subjects that wouldn't necessarily bring that kind of atmosphere to mind, it kind of elevates them and gives them, idk, a new meaning?

So is this a good segue into the topic of themes? I guess the album name sits well with what I think is going on here, because my main impression of the whole thing was something like.... stories of fucked-up guys with self-image problems / feelings of inadequacy, which they try to go around fully convinced that they're right (and their messy love-lives too ofc). Or are they just, normal, regular guys actually. Who can tell. It certainly gives you an idea / a whole concept to work with and ponder here and to connect and visualize kinda.

I think that yeah, out of what I've heard so far this has to be the most thematically-consistent sparks album there is. It comes to a point where all the songs give this little impression of a whole universe where all of this takes place, and while I've had these kind of impressions from albums that are way more all-over-the-place conceptually with their lyrics (I mean like.... pretty much every They Might Be Giants album. You can create this sort of illusion with more than words, the music and its atmosphere and often also its stylistic consistency might be even more important actually), this comes, in my mind, almost close to concept album levels in that regard.

The definition of a concept album probably calls for something more specific than all the tracks being in sort of a similar theme but you know.... I don't think it really happens most of the time in music in general, that the whole album has this sort of a familiar idea / spirit throughout that makes a unique whole. (note: apparently wikipedia calls this album a concept album. Another win for me in that case, lol). You could probably try to connect different songs' themes and work with that in some way.... Which is something I already did in all honesty, but actually it's a between albums thing here, because I do believe that the dick around guy could be the same guy that the narrator from ugly guys with beautiful girls talks about. Similar ideas you can connect! That's what I'm talking about. I love it when songs tell overarching stories.... Make me think about characters from songs or little universes and vibes created by even the vaguest of lyrics and the ideas those create and the imaginings they bring, any day.

Ok, what else can I say. I think I mostly covered everything I could actually. Should I say something more about the cover with the added context now. I already said that it gives off a "something's wrong" feeling, but I think it's also compelling in how it conveys that elegant, non-threatening and polished image, sterile kinda. Well, I think only one of those four words I just chose doesn't really apply to most of this album's songs. I mean non-threatening ofc. Hmmm, maybe sterile doesn't really work here either, besides those prominent examples of the coldness of sound on this album, it would actually go more with LB, which also has a fittingly minimalist, all-white cover. Collected and orderly to a distressing degree. Just like here, it also gives off some.... distressing vibe. As I already said with the "this isn't right" feel.

What else can I say. In reviews you usually give your opinions, which I very much did throughout this thing here, everything like this is always somewhat subjective I think, but even then, a final verdict could also be said here. I think it's pretty damn clear by now what my opinion on this album is. I wouldn't spend several days writing a review and analysing every little detail if I didn't have a very strong (positive) opinion on this album (I guess I technically can imagine writing a very throughout review of something that just annoys you so much that you simply have to go through everything wrong with it and have some relief and closure through that. I can't see myself doing that kinda thing however, I'm not that kind of hater (or really a hater at all lol, i hope), I'd rather devote my time to things that I find actually cool and awesome and stand-outs in a positive sense, and worthy of attention and that dedication).

So this comment I fittingly found on tumblr over the last few days feels pretty relevant towards my opinion of writing "reviews" of stuff (this was more of a, very detailed analysis I know, but review just kind of fits, especially with how people call their recaps / commentary / writeups of concerts "reviews" a lot of the time):

(note: yeah I think I should come clean here that despite my very recent start of actual social media participation I've already been a serial lurker in various places for years now, lol, I mean, that's probably a normal thing to do though, I hope. I mean, probably lots of people do or did that at some point, but still. And I don't know whose post this is anymore sadly. But I thought I'd keep it here because it's a good summary)

And also, just for the record, this is my opinion on HYL pretty much. Yaaaayyy i loved it i had so much fun!! For real. i'm glad they're creating something!!!! Absolutely. One of a kind album that I will cherish as yet another great and unforgettable entry on the list of albums that changed me (TM) and brought me lots of fun and great memories / associations, even in such a short time. And the actual FIRST on the new list of albums that I'm happy to have brough the utmost attention to and dissected like that. It's out of love.

Thank you for reading this far! Here's a little bunny as a prize!

Whoa whoops this gif was supposed to be small! Have a huge bunny in that case, you deserve it! 🐇

[chemicalarospec]

Some intersex people genuinely don't want to be included but the majority of us want to be. It's actually really difficult to be in queer spaces that consistently enforce sex binaries, never use the updated progress flag with us, and never have intersex flags.

Often the idea that we don't want to be included comes from intersexists who want us to remain as "disorders of sexual development" (outdated offensive term). It's unfortunate that this idea permeates the queer community so much.

You can see photos from this intersex organization using the pride flag, if you need more than an anon's word. https://interactadvocates.org/#

Thanks for the information!

I didn't know "disorders of sex development" was considered outdated and offensive, I thought it was actually a modern (more formal?) alternative to "intersex". Unless that was "differences of sex development"? (I almost tagged it on the original post but I wasn't sure what the term was.) Ah, I found more information on the link (x). Thanks for the website, very helpful!

This subpage is a great source on intersex people wanting to be included! It's a bit more ambivalent than I expected - combined with this anon's word and my previous impressions it seems like there are still a significant amount of intersex people who don't want to be a part of the queer community, but the ones who do want to be included would much prefer the queer community open its arms. So it seems to me the best course is to do so and the intersex people who want to can individually distance themselves (my impression is most people of that group more want to be personally distanced than think 'I' should never be a part of 'LGBTQA') and only partake in intersex communities.

We recommend adding intersex to your organization’s LGBTQIA+ acronym only once you have intersex leadership, consultation and/or resources. Intersex people have very specific needs, just like each letter of the acronym.

This line in particular stood out to me because they only provide guidance for what organizations should do... I feel like most times when the decision is being made whether or not to use the intersex progress flag, it's individuals and small groups like my GSA making posts, selling merch, decorating a space, etc. that aren't serving any needs besides community for anyone... I guess I already came to the conclusion to include by default though? (Honestly this page feels just barely strong enough for me to send to anyone if this question comes up in the future, so if anyone has any more sources do send in more anons!)

Honestly I was hoping for something like "our survey of as many intersex forums/organizations/people as possible found that 80% of intersex people want to be included in 'LGBTQIA', pride events/orgs, and the progress pride flag" --that this had been "laid to rest" and I could just tell my friend straight "no, intersex people want to be included now"-- , but of course I shouldn't expect things to be too simple haha, people & groups are nuanced and nuance comes in the form of caveats. At least I feel much more informed now!

[aberooski]

I've been working really hard on Sons of The Stars (abby's version)(from the vault) the last few days and I'm serious when I tell you with the way it's going, if you've read SoTS before... no you haven't.

[dieverged]

nima who probably didn't plan to be visiting thedas again and ending up trapped there for 2+ years having to deal with the inquisitions politics. they are mad as FUUUUUUUUUCK

edit: thinking about them stuck in thedas for 10 years dude. in the event that it's relatively canon compliant & they don't get help from, like, anyone so ... kind of a worst case scenario for them basically? on a personal level. because them getting help would require plotting

edit 2: okay i'm mad as FUCK i forgot tumblr puts a bullshit limit on tags. i had an entire section dedicated to dorian & varric & the inquisition, how it all culminates into an eventual home for them & how they would go back n forth between tevinter & kirkwall with varric taking her under his wing (and the outlier in that nima would end up telling varric about their circumstances eventually if they were close enough but hey! varric dgaf about that, he sensed the bs, he knew they were hiding something, as long as it doesnt directly harm him/his people/the fucking world whatever man it doesn't change who nima is potentially) & also nima's complicated struggles & relationship WITH hiding this information because she isn't thedosian. she is a complete outsider, a mimic, an imposter wearing the skin of those around her. while she doesn't lie, she also doesn't speak the truth of it either. & as a traveler, you'd think oh why does this bother her so much? it bothers her bc she can typically escape in other circumstances but here, she can't, she is trapped for the forseeable future and/or permanently, she can't return home. & the FURTHER struggles of what that means for her identity & also of her relationship to people within the inquisition

I'M SO MAAAAAD I'M SO MAD THOSE WERE SUCH GOOD ANALYSIS' fuck off tumblr i can't believe i forgot. okay well reminder that i need to write some relationship metas. specifically with solas, varric, dorian & then the inquisition at large.

also the conversations between these four would be funny as fuck is all im saying. discussing theoretical magic & the fade & like varric is just There dude it's too early for this shit. he was dragged out

also augh cole was another element in this as well but cole is... difficult because nima just avoids him straight up a lot of the time, but i think she would really like his insights :') i really do. i think they would have such engaging conversations

but anyways yeah there was so much haha.... gripping my desk so hard it splinters & shatters can you tell im mad as fuck. im also tired, writing essays with no sleep lets gooooo

(though honestly, maybe their character arc is centered Around never actually finding out how to return in inquisition & making peace with that too; at least not until Trespasser. i.e, they are entirely vague about everything, researching all sorts of old forbidden magic & the history of it, & part of their character arc's resolution is that they aren't alone in this yknow? they aren't alone, they have to come to terms with their placement here, and hey people do give a shit or something to that effect anyways. because them going at it alone, e.g you didn't do their companion quest, is going to result in them just leaving once they have what they need information wise whereas doing their companion quest results in them staying & begins the gradual process of relying on the people around them, relinquishing that iron grip independence but also trying to learn not to have this... fixation on home and what that means for them. which is an objectively important concept throughout their entire narrative, it drives them, BUT yknow in this it's finding a way to be healthy--- they don't let go of it obviously, although that would be an element brought up (and also if that was a choice you picked, basically telling them to give up, it would result in them leaving too), but it's more so .... that they aren't losing parts of themselves by not finding the answers that they need like home isn't one place & it definitely isn't lost. basically just easing their grip on it, like they're not losing who they are. i had something more profound to say here but i forgot where i was going originally lol so this'll just have to do--- it's just coming to terms with a lot of things about themselves basically)

referring back though to the best case scenario, it would probably be like. plotting territory & the baseline is always going to be a mage, spirit, a... god? if they interact with one? or an ancient? basically someone with profound arcane knowledge. & the plotting would come from like, hey, can we actually find a way around this in all its forms (im talking fade travel, im talking dabbling with old, forbidden magics, going on long adventures, uncovering mysteries, hell. possession would be awesome dude, spirit or fragment, or literally whatever the hell else)

& the consequences of that bc fucking around with ancient magic that counteracts your own innate magic AND with nima already having a god's mark on her by virtue of being revived. all of that...... it would be very much hey, let's see where canon can take us, let's do the implausible, let's keep making ideas etc.

because while i do just default on, even in a plotted situation, nima being unable to find their way back home by virtue of not being able to use their specific abilities to unlock that access (which, haha, im just saying wouldn't it be awesome if someone helped nima only to use her powers for their own gain. like it would be awesome) it would be very fun and very tragic for them to finally find their way home. maybe them gaining access to their own powers again causes fucky shit to happen! maybe they are blocked from ever returning to thedas! many things can happen.

& also side plot but equally as important in this ^ is them being able to recover some or all of their memories via fade shenanigans which would be peak but made worse by A. what if by doing so, they've made it so their own spirit is bound to thedas & they can't leave so they have these memories but at what COST or B. idk maybe they just die dude straight up. maybe there's some crazy ass consequences that follow. there has to be some kind of tragedy i can't let nima be happy. ever. or even some crazy shit happening to Ur muse in all of this bc who doesnt like seeing their muse suffer (& which would hurt nima in the process yippie)

but yeah ultimately their worst case scenario is arguably the best case scenario and the definitive canon bc anything else, like actually helping nima, requires nima to A. tell you they aren't from this world (& by virtue of that their memory loss maybe bc hey all hands are on the table now, but tbh they would've probably mentioned the memory loss casually Anyways so its not a big deal) B. probably a fair bit of plotting but it'd be really fun devil emoji

[gamebunny-advance]

I Caved

I cast a vote so I could see how the poll was doing, and the results are about what I expected. It also roughly correlates to how much time I spent designing each one, so maybe there's something to that.

But, regardless of *why* the results are this way, it seems like Ice came out on top, so if I ever get around to that project, I guess it'll focus on him~

Thanks for voting everybody~ The poll is still open if you want to try and change things, but I don't see Ice being usurped any time soon.

It wasn't close at all~

[toasterkoi]

Still your jaded shadow was forced to look upon

Sights not even a ghost should have to see

And as he slumps so listed, he cannot bear to watch

And yet he cannot draw his gaze away and flee

The reason why there's a white baby fuzz Shadow there holding current Shadow's hand is because it went with my headcannon from that one post I did where he originally had that coat color before he was injected with Black Doom's DNA. (VERY briefly, though)

A homage to what he could've been without the impurity that attached itself to him, the alien dna. Which is ironic in a sense, as Shadow is who he is as an indirect result of Doom's influence.

I really liked a comment on that previous post about the headcannon that said something akin to how his white fur that was left over represented the only place Black Doom failed to corrupt: his heart. Like YES!!! PREACH!!!

And, he has all this chaos energy and some kind of alien power that has dangerous consequences if not kept in check (he didn't know this he was like...10 minutes old) Gerald, of course, was aware of this about Shadow, but paid no mind to warn the hedgehog of his capabilities, as he was sure he had the means to control such a consequence. A fatal flaw of his part. So maybe he had crafted the inhibitor rings beforehand but kept them as a failsafe of sorts.

I imagine that Maria was looking to spend time with newly-released Shadow on a regular morning where she was feeling better, show him some of her favourite songs, or create fun mischief around their space-home, but oddly couldn't find him anywhere. Gerald was probably off doing further research for how to link Shadow to Maria's illness. She found herself peeking into an old storage room where the lights were off, and the door slightly pushed open as if someone had entered but not returned. And then... there's a horrifying and mutated elderich horror in the corner that's growling in pain. It's Shadow, and Maria knew that despite the melting and mutating figure in front of her appearing nothing like a small hedgehog. Because, despite the horrid and dark goup, deep down, it was still Shadow.

She was awfully calm about the entire encounter, too, and managed to get Shadow the help he needed to come back to his hedgehog form. I feel like this says alot about their closeness and relationship, because I bet if a rookie, overworked, below minimum wage employee and scientist walked in on mandela catalog Shadow like that, they would've screamed, peed their pants, and run away. They are NOT getting paid enough for this. (Unless they're used to stuff like that, but idk I'm not a scientist on the ARK guys). Just my thought dump herherher

[cherrygirlfriend]

⋆𐙚₊˚⊹♡ so thirsty

pairing: sunshine!reader x bf!rafe synopsis: reader catches rafe working out tags / warnings: smut, handjob (through clothes) wc: 600 a/n; originally posted 10/30/2024

it wasn't fair how just someone's back could look so good while they were literally pulling themselves up and down on a steel pole.

rafe's back muscles basically glistened under the lights of the cameron home gym, your teeth biting down on your lower lip as you watched him do pull-ups, sweat slowly rolling down his back muscles, the urge to press your legs closer together getting stronger and stronger.

the music playing from his speakers was so loud that rafe hadn't been able to hear you come in. that morning you had sent him a picture of yourself wearing a criminally short dress, half your thighs visible, and thanks to his friends showing up at the ass-crack of dawn and demanding he come out with them, he didn't have any time to jerk off, so now he was trying to take his frustration out by working out.

rafe let out a small groan when he pulled his chest up to the pull-up bar, but even that couldn't mute the little whine coming from behind him, and when rafe's feet finally hit the ground, he turned around to see you, a dazed expression on your face.

"you're stalking me now, huh?" he grinned, tilting his head back slightly as he watched you start fiddling more and more, trying to distract yourself from him.

"no. no, i wasn't."

"mmhm. sure you weren't." rafe chuckled, making his way to you and wrapping his arms around your waist, pulling you so close to his chest that you could definitely feel the bulge in his shorts, causing your eyes to widen and your cheeks to start warm up like a hot summer day.

you looked down at his chest, sweat slowly dripping down like it was a movie; like this was something he had planned. but what he hadn't planned, or even imagined would happen was you bringing your hand down to the bulge in his shorts, rafe letting out a small whine, one that made you press your legs even closer together.

you continued to palm rafe through his shorts, the blonde throwing his head back in pleasure, trying to figure out just how you'd managed to get such a hold on him; plenty of girls had given him proper handjobs and blowjobs, but there he was, about to blow his load all over his black boxers just because you were palming his cock through the thin fabric of his shorts.

"i-is this alright?" you mumbled softly, causing another groan to escape rafe's lips as his hips bucked against your hand, the man letting out an even louder groan when you moved your hand down his shorts and started properly stroking his cock through his boxers.

"i... i know you're..." rafe let out a loud gasp inbetween his sentence, "you're not experienced, but... fuck, baby, i can't handle this for much longer..." he mumbled, letting out a noise that was between a sigh and a groan.

you kept stroking rafe's cock through his boxers, his blue eyes rolling back while he panted uncontrollably, his hips bucking to the pace of your hand's movements.

"baby, i'm go-"

before rafe could even finish his sentence, his cock started spurting white, hot cum all over his boxers, your hand still stroking him outside the boxers, and even though your soft voice was trying to calm him down, rafe couldn't concentrate on it, all of his focus on the pulsing on his cock as his boxers filled with his own cum.

[vulchak]

Alright I'm gonna watch the travesty that is the live action httyd. So I'm taking notes like for Lilo and Stitch, and I have the original script, and the original movie pulled up, just to be sure I'm not forgetting anything despite the original httyd being seared into my retinas since age 10

TL;DR written post-watch cause this became like 2,000 words, It's bad, it's horrendous. Pretty much everyone is slightly to horribly out of character, they're all mean and/or stupid. It's mostly the same movie, but every change is for the worse, and everything that's stayed the same is acted and directed MUCH worse.

Berk isn't their home anymore it's just some random island close to the nest, the Red Death isn't fireproof, they still fire into her mouth but there's no reason for it now unless you've seen the original, Astrid is emotionless through the whole thing, none of her anger, passion or any other emotion is here.

Toothless and the other dragons are much less intelligent. The CGI looks like a mobile game ad most of the time. Overall, not a single good thing here, don't bother watching it, let alone giving it money. Go watch the original, or read the books and ignore this fucking insult to animation and to How to train your dragon.

Right off the bat:

"This, is Berk" no the fuck it isn't, that's a moldy pride rock. It's so ugly and, small.

Oh, the sheep isn't even real. What too pussy to use a real sheep? It's a fake one attached to a bell like someone wouldn't notice a real sheep bleating or THE GIANT FUCKING DRAGON TAKING IT. I guess the point was they're keeping the sheep safe from the dragons, then why put out bait? If the dragons don't see sheep they won't attack? Probably? Man idk, it's stupid

The opening monologue too, is just. Soulless. More brief and not an ounce of sarcasm or dry humor. Y'know, a big part of Hiccup's way of speaking

Stoick so far is alright. He's not NEARLY as imposing as his animated counterpart, didn't even recognize him at first. Even with real human proportion limitations, still think they could've done more in the costuming department, at least added some height to him cause rn Hiccup is like, up to his shoulder which just feels wrong

CGI so far looks horrendous, a shot of the dragons setting fire to the village looks like a fucking mobile game ad

Hiccup going to Gobber and that whole little scene is much more clunky here. They've removed basically all the sass and jokes from the scene, from BOTH sides. "They need toothpicks don't they" and "little-er" are gone The latter probably because they knew they severely miscast Hiccup cause this guy doesn't look like the scrawny little loser Hiccup is at the beginning of movie 1

Astrid coming out from smoke instead of walking in front of an explosion is just lame and screams "we didn't have the budget"

And on Astrid, Hiccup going on about how cool she is instead of just the delivery of her name letting us know he has a thing for her, is keeping up the trend of these fuckass remakes really struggling with subtlety and visual storytelling

Alright so Hiccup is a straight up moron now

First of all they're putting WAY too much emphasis on the Astrid thing, it wasn't acknowledged at all until a couple teasing comments from the CHILDREN in the arena, NOT Gobber Second of all, the launcher thing he built. Why the fuck does he firemit twice on purpose, at his fellow vikings? In the original it was an accident, he patted it, the mechanism was too sensitive and fired and hit a viking ON ACCIDENT

All the acting is so incredibly, and I hate using the word but there's no better one I can think of, cringe. It feels like a youtube skit more than a movie

And the delivery is horrible, especially on Gobber. In the original you could tell him and Hiccup were at odds but they still liked each other, Gobber came across as a silly uncle figure, who was still protective, and only became serious when he saw Hiccup was a danger to either himself(running out into a fight he wasn't ready for) or others(accidentally knocking a guy out with his launcher) here, Gobber seems to barely stand Hiccup and Hiccup is no better towards him

Okay just don't tell us the Monstrous Nightmare sets itself on fire, alright, HOW AM I SUPPOSED TO KNOW THEN?? (I know because I'm me, but for general audiences it's a weird omission, if I didn't know, I'd assume it was just, accidentally on fire, not something it deliberately did) they didn't bother introducing the rest of the teens either, Hiccup calls them the fire brigade and focuses solely on Astrid, we don't learn the others names till later

The whole dragon attack is so slow and anticlimactc, and this is the last time I'm mentioning Hiccup's delivery, because it's awful. End of story, slow, over-exagerated, not an ounce of the charm and sass Jay Baruchel brought to the role

No talking fishbone rant and Hiccup imitating Stoick. 0/10

So, Berk is no longer their home. BERK IS NOT THEIR HOME. It's just, close to where a "key dragons nest" is… They're setting up for the 3rd movie where they just ditch Berk so it's not a plot hole aren't they? It just, gives so much less weight to everything. They're not defending their generational home they're just, camping out to kill dragons

This was no doubt done to explain the POC vikings, as "the best warriors from all around the world" but. They didn't need to do that. It's a fucking fantasy dragon movie, especially for the background characters, cast whoever you damn well please, you don't need an in-universe explanation that ruins the lore and significance of the main location

The great hall is also tiny and cramped now

Gobber doesn't stay to talk to Stoick, Stoick has to stop him from leaving the hall. Gobber is just an ass here. Fuck this whole movie, bury the script with some C4 and light it up

Okay they mention Valka, by name, that's a good thing, but it's the least I'd expect now that they know exactly where the story is headed

WHY IS EVERYTHING SO BRIGHTLY LIT THIS IS ONE OF THE MOST TENSE SCENES IN THE WHOLE STORY AND IT LOOKS LIKE THE GODDAMN TELETUBBIES HILL UP IN HERE

Overzealous, excited teenager "I have slain this mighty beast!" VS generic protag guy "I DID IT!"

The shot of the reveal of Toothless' open eye gives me goosebumps, every single time. The atmosphere, the score, the slow camera movement and angle. None of that is here, it's just, oh, it's open btw here he is

Okay more of every character being meaner for no reason, why did Hiccup start to leave? In the og he immediately went to cut Toothless loose. Here he has to hear a whine then go back. Jackass

And Toothless doesn't pin Hiccup because the CGI characters interacting with the live humans is expensive and hard to pull off. Also GOD he's so SLOW and just. He feels like he shouldn't be able to lift off the ground, all his speed and agility are gone, and BCAUSE of said sluggishness we linger long enough on his tail to SEE IT MISSING HALF OF THE TAIL FIN BEFORE THE ACTUAL REVEAL. FUCK THIS MOVIES' COMPOSITION AND DIRECTION IS ASS

He doesn't even faint, he doesn't even stumble he just kinda. Looks at Toothless flying away, and sighs. He doesn't look like a guy who got attacked by the scariest dragon they've never even seen, he looks like a guy who saw his car getting towed

The conversation between Stoick and Hiccup is alright I guess, just a worse clunkier version of the original with worse delivery, not much more to say

Ooookay, dragon training, dunno what "trial of flame" is, dumb, will be ignoring it. They seem to be cause they call it dragon training half the time, anyway. Banter is OK, however, "daddy pulled some strings" is such a dumb line. Second, Tuffnut sounds so whiny and him and Ruffnut being held back, 4 years, makes them 19-20. That's. A pointless, mildly weird inclusion

They act childish as ever but they're that much older than the other teens. Again, utterly pointless

"Will you stop that?! You big bag of wool." And so, insulting Fishlegs, for his weight, was absolutely necessary apparently? Isn't this supposed to be the modern progressive remake that "fixes" and "improves" aspects of the original??

As far as I remember, Fishlegs was never made fun of for his weight, not in the first move at least. I don't wanna say with certainty without checking. But in this moment he definitely wasn't, and it further makes Gobber just, a jackass in this version

So. Gobber takes Hiccup's axe, emphasizing how important a shield is. Then Hiccup has to awkwardly tap his shield with his hand to make noise while everyone else still has their weapons?? Why??

Yet again I find myself, asking WHY. Why did we need the dragon manual scene to go on for so long just so Hiccup can simp for Astrid some more? So Astrid can further emphasize how Berk isn't their home and they don't care about it? So we can learn Hiccup and Stoick's house, their home, the home they lost Valka in, the home they cherished. Is like the viking white house and if one of them isn't chief they get kicked out?? The fuck is wrong with this movie??

Unsurprisingly the scene of Hiccup reading the manual is short, lame and without a fraction of the atmosphere and creepiness of the original. It's like he's reading a damn instruction manual and skipping to the part he needs to read

Seeing the ships get attacked is pretty neat, alright that one is a plus

They put the hesitation before the nose touch back, good. But forbidden friendship just, doesn't hit the way it does in the original, it's kinda. Boring, didn't make me feel a damn thing

Okay all the "us girls gotta stick together" is so fucking annoying YOU CAN SHOW THEM BEING FRIENDS WITHOUT POINTING IT OUT WITH OVERUSED MODERN TERMS. Show don't tell, dammit

Gothi standing there moving beads is also stupid and pointless, and her design isn't nowhere near as charming as the original(design being casting and costume)

Exchanging dragon nip for dandelions is also stupid

"Who's a good boy??" Ah so Toothless is in fact, a dog now. Good to fucking know. He seems so much less intelligent here as a whole

Test flight is just bad, bad camera work, bad cgi, bad everything. And no Toothless accidentally running Hiccup through fire in the end. Why remove it it was such a fun little gag

If I don't directly mention a scene, assume it's the same, but worse. That's how a majority of them are, same script with minor alterations and worse acting and animation I just don't have anything to say on those

Not faulting Nico Parker, she's doing the best with what she's got, but what she's got is a bad script and bad direction. Because Astrid seems so cold, and emotionless. Seeing the Red Death and saying "what is that" wtih a complteltly nerutral expression, she sounds like she's asking about an ugly shirt her friend is wearing

Also how do you manage to make the northern lights ugly? How is that possible? Beautiful blues teams and purples vs puke green

"Don't get inloved, my dad respects you too much" VS "make sure they don't find Toothless" So this Hiccup cares more about Astrid's reputation, not her, her REPUTATION, than he does about Toothless' life. Got it. SIMP. FAILTHY FUCKING SIMP What have they done to my boy.

Okay there was one neat shot of Hiccup's hand matching Toothless' paw when they're trying to climb up

"ASTRID GET BACK HERE. THAT'S AN ORDER." So, he's concerned about flaunting power and being right, not just, getting a kid out of danger. He's upset they're not listening to him, not that they could get hurt

Fight between Toothless and Hookfang is extended and I guess it's decently cool, but that, and the longer fight between Toothless and Stoick, just makes everything slower and more anticlimactic. The original was quick and snappy, this is just "we're filling time"

"You're not one of us. You're not my son." Cannot BEGIN to compare to "You're not a viking. You're not my son." Seriously the delivery, the line itself, hits nowhere as hard. I guess bringing up Valka is alright but feels a bit forced ngl

WHY DOES TOOTHLESS HAVE A FUCKING AMERICAN FOOTBALL CROTCH GUARD ON HIS FACE LMAO WHAT IS THAT

Alright final battle, mostly the same but worse, HOWEVER, The occupational hazard line was removed, this one and the setup for it earlier

And Stoick, doesn't say "I'm sorry" nor does he tell Hiccup he doesn't have to go. No no he says he was "just trying to protect him" and that whatever happens up there he's proud. He doesn't apologize, he doesn't take accountability for being wrong

They got rid of "not fireproof on the inside" with the terrible terrors, and therefore, no explanation as to how or why Hiccup decided to fire inside the Red Death's mouth. Especially considering SHE'S NOT FIREPROOF. THEY BLEW HOLES IN HER WINGS AND FLEW THROUGH THEM FOR A COOL VISUAL, COMPLETELY FUCKING RUINING THEIR WHOLE LORE

(EDIT) I was mistaken, someone pointed this out and I went back to rewatch. In the original they blow holes in her wings too, but there it's much more subtle and it's small holes that get torn apart by wind instead, in the remake they just blow massive firey holes in her wings

Stoick apologizing and waiting to see Hiccup alive is alright, but they really should've kept it a father son moment, Astrid doesn't need to be there. Also, just he's alive. No "you brought him back alive" he still thanks Toothless later but that line was a nice acknowledgement to what he did

Well, the rest of it, is just the same, but worse. They acknowledge that Stoick and the others rode back on dragons, I guess that makes sense, it's alright

Snotlout has a non-subplot with his dad which was done much better in the show, not much else to say on that

And that was it. The live action How to train your dragon remake. In a word. Soulless. The same but worse. What they do change is for the worse, not a single person aside from Gerard Butler was cast appropriately, nor designed as far as costuming goes, they bend over backwards justifying the changes they've made and the movie is much worse for it

Every single character is also, meaner for some reason. Only Fishlegs is about the same but more whiny somehow. It's just. Bad, no other way to say it, it's bad. Gobber is the worst offender, he's an asshole to Hiccup, to the other kids, everyone. Hiccup is also so unlikeable and a genetic protagonist with bad delivery. By the end I couldn't give less of a shit if he made it or not cause he was annoying more than anything

Toothless is significantly less intelligent, agile and cool than in the original. Same goes for all the dragons honestly. Trash heap with bad cgi, bad acting and a bad script. I'll be happy when it's forgotten. And I hope the sequel gets canceled, but general audiences will make this at least an 800mil movie so that probably won't happen

[shin-thalia]

WARLORD PREDATOR ANALYSIS POST

Going incredibly public about my love for this guy. Even beyond HOW HOT HE IS!!, he's a great insight into Yautja culture AND Badblood Villainy. More below the cut

Wow. Oh my God. Cover them up.

BUT!!! SO SO SO COOL!!!

Wearing a YAUTJA SKULL for a mask?? It makes it look like he has six tusks in a few shots?? Also all of the spines, which are most likely Xenomorph in origin!??!

Not only does he get points for being badass, but he's also just really interesting. He taaaalks!! In Yautja language!! And it sounds so fantastic!!

A bit I love is how he seems to enjoy the final battle. He doesn't see the united efforts of our protagonists as particularly serious until they actually hurt him, which immediately motivates him to just overpower them both when he didn't before.

Not to mention the calm demeanor he has when he "loses". For what is most likely the leader of a clan of Badbloods, you'd expect him to have a massive tantrum when his precious prisoners/warriors get away..but nope.

He just walks up, watches them go, and then SICS A FLEET OF SHIPS ON THEM.

He isn't freaking out because he knows they can't escape. He's the damn Warlord.

Overall, 10/10. Love him. Also!! FIRST MAIN YAUTJA (who isn't a background clan member) TO SURVIVE THEIR FIRST FILM APPEARANCE!!!! LETS GOOO

They call him Grendel King.. does he need a Grendel Queen perhaps..

[woollypoison]

The Real Encore

Itzy Yuna x Male reader THIS IS A REUPLOAD! Maybe you've seen this work before, maybe you haven't. It used to be uploaded on a blog called K-DGN, run by two people. That blog got destroyed, and now I run this blog by myself, posting only 100% original kdol fanfic content. Word Count: 7.1k

Following the show, you sat back in your seat in a daze, dumbfounded that you had finally gotten a chance to see your favorite group Itzy live in concert. They were everything you'd hoped they'd be and more. Nothing online could have prepared you for what it would be like finally laying your eyes on them in person. Months of preparation getting right physically paid off in dividends too, as multiple members came by your side of the stage to give you all the fanservice you could have ever wanted. You believed you must have been the luckiest guy in the building as it happened more than once. Each and every member came by to dance specifically for you, and you ate it all up. It was all surreal, and you could not imagine a more perfect night. 

As the audience continued to file out of the arena, you snapped out of your daze and started gathering your things to leave. You were about to leave when a staff member from the show got your attention from across the barricade and called you over. You were a little confused because you thought that maybe you had done something wrong, but that confusion was quickly washed away when they told you that your ticket had won a "special raffle", and that you were selected to come participate in a meet & greet with the group backstage. You were ecstatic, but told to keep your cool as the staff member did not want to draw the attention of the unluckier fans and cause a scene. They guided you around to the side of the stage and took you back through a hallway leading to the backstage area. You were brought to a room where a staff member took your belongings for safe keeping while another gave you some quick paperwork to sign. You were so excited at the prospect of meeting the members that you didn't even read most of it. Once everything was set, you were told to wait for a bit until they would take you to another room to meet the girls.

They sat you down in a long hallway backstage, on a row of foldable chairs seated against a wall. The rumble of JYP and Venue staff rushing through everything, packing up the show and making sure they get done as soon as possible to be able  to head down was dizzying. There were a total of 4 chairs lined up, including yours, but so far you were the only one sitting in one. Staff kept rushing back and forth as 5 minutes of waiting turned to 10 minutes turned to 15 minutes. You wondered if it was going to take much longer, and decided to ask one of the next staff members you saw.

"Excuse me" You addressed them. "When will the special raffle event start? Are there other winners we're still waiting on?" You asked, in your politest voice, but they just looked at you confused.

"Special raffle? What special raffle?" They replied, as if asking what the fuck you were talking about. "Are you allowed to be back here?" They continued, putting you on the spot. You tried to explain that one of the staff members told you to wait here, but you had nothing to show for it.

"They're fine, I told them to wait here!" The staff member from earlier came in just in time to save your skin, with another guy you could only assume to be another concert goer going off of their outfit in tow. The staff member you asked for clarification gave you a suspicious look, but backed off, going back to their urgent tasks.

"Sorry about that." The first staff member said. "Not everyone is made aware of all events. I hope the wait wasn't too unbearable, we still had to find our other winner. But we are ready to start now!" They explained that, considering the nature of the special event raffle, it was sometimes a little harder to get all the winners in the same place. You couldn't help but notice the discrepancy in between the amount of chairs, and the amount of winners, but maybe it just meant some winners already left and lost out on their luck. Or maybe something entirely else you were yet to find out.

The two of you were then ushered further down the hall, ultimately ending at a pair of doors. These rooms were a lot more secluded, a far cry from the chaotic mess that was the staff hurriedly packing up the show back where you were previously. You and your fellow raffle winner both exchanged pleasantries as you awaited for further instructions.

"Here we are. Please wait just one more second while I check to see if they're ready to see you" the staff member explained and then turned around to knock on the door and peek their head in. They asked something in Korean, to which you could hear the female voice responding. Satisfied, the staff member then turned back to the two of you. "Okay! Now sir, if you'd please," they instructed as they opened the door and gestured the other guy to come forward. You were about to follow suit but the staff member raised a hand to stop you in place. "Just him, please. You will be meeting someone else. You made and "O" face and nodded you head. You and the other winner exchanged nervous glances before you raised a fist of encouragement. He reciprocated the gesture then turned back to the door, taking a deep breath and walking in. 

As he rounded the bend, the staff member closed the door behind him, leaving you alone and now more nervous than ever. The staff member gave you a quick smile then headed to the other door, repeating the same actions he had done with the previous room's occupant. He then turned back to you, leaving the door slightly ajar for you to enter.

"Okay, she's ready for you. Please go in when you're ready." he instructed before stepping aside. Your eyes darted between him and the door. He gave you a nod and this time it was your turn to take a moment to collect yourself. You steeled yourself before mustering enough courage to take the step through the door. You walked a bit further into the room, hearing the sound of the door closing behind you. No turning back now, you thought to yourself. As you rounded the corner, you almost froze in place. In the center of the room was a couch facing away from you, and seated right in the middle of it was a girl with bright red hair, looking down at what presumably was her phone. You thought that maybe she hadn't heard you come in because she hadn't turned to greet you, so you decided to try and get her attention. 

"Ahem...Yuna...?"

The girl's head instantly perked up and she whipped her head around to face you. It was almost like a scene from a hair product commercial the way her bright red colored locks flared out before perfectly settling along her exposed shoulders. From what you could see since she was still seated, she was wearing a spaghetti strapped white tank top. She had a huge welcoming smile on her face, complimented by her beautiful eyes which were beaming with excitement. 

"Took you long enough! Come, sit with me!" she called out.

You couldn't help but notice two things when taking in the room. The first was the faint humming of some music playing at a low volume on a speaker, posited on a table in front of the couch. You weren't sure what song it was, but you could tell it was by Blackpink. The other thing was a faint smell, attacking your senses. It wasn't pungent, but if you focused on it, it was present. It wasn't anything like any smell of any perfume you'd ever smelled before. It had no traces of floral scents or any of the like, but instead had this deep sweetness to it. It was intoxicating, and you couldn't help yourself from drifting towards it.

The shock of being in a room alone with Yuna and her addressing you so directly almost caused you to dissociate long enough to get on the nerves of Yuna who just asked you a question. It wasn't your attention to ignore her, you just needed something to focus on and ground yourself with.

"Hello?" Called out again, snapping you out of your drifting gaze. You looked right at her again, and walked around the couch, staring at you the entire time before taking your seat next to her. She was still wearing her pink skirt from the encore, matched with her black boots. All she changed out of was her top.

"Hi!" She spoke to you, very high pitched and seemingly very excited to have your attention. Even after such an exhausting show, her fanservice was out of this world.

"H-Hi..." You mumbled out through your nervousness. You hadn't ever even been close to itzy before this show, let alone win a fancall or anything of the like. Not for lack of trying, mind you. "I'm your biggest fan!" You managed to push, almost as if yelling.

"I'm glad to hear that!" She replied, equally as full of gusto as you did. She didn't skip a beat however, and her smile pierced through your body before she placed her right hand on your left thigh, the one closest to her, before continuing. "What's your name?" She asked, tilting her head to the side, stunning you further.

"Y/N." You answered, the first sentence uttered without stuttering or an added ehm since stepping into the room. "Hmmmm, Y/N huh? That's a pretty name. You know my name too, right?" She asked, dragging her words out in a playful tone, her eyes intently staring at your face as she asked you.

You weren't really sure if this was a trick question. Who would end up going to this concert without knowing her name at least? You shook off your doubts, certain she was just giving you an easy question which she could use to give more fanservice as a response. "Yeah, Yuna..." You answered, tilting your head forwards as you answered her simple question, still unable to really feel comfortable with her hand on your thigh.

The instant her name left your mouth, her face rapidly came closer to yours, she closed her eyes, and planted her lips on yours. You were in complete shock, your eyes jolted open before slowly closing, oozing into the sudden kiss by Yuna. You felt her hand squeeze your thigh a little, before she pulled away, a small string of a mix of your and her spit trailing in between both of yours underlips.

"Hmmm, your lips taste nice when you say my name, Y/N." She divulged, wiping the spit off of her lip, before looking back at you, hungry eyes, studying how you were going to react. She took this chance to reposition herself, tucking her legs underneath her and sitting on her knees facing you. You couldn't help but stare, mute in shock at what was happening. You couldn't help but notice her short skirt wasn't fit to keep herself covered in her current position facing you, and your eyes drifted downwards, but all you could see were the same pink hue of her safety shorts. This action didn't go unnoticed, as Yuna's smile turned into a smirk, busting your perverted action.

She licked her lips, as her eyes grew smaller and focused. "Don't think I didn't see that, Y/N." She berated you in a sultry, teasing tone.

"I'm sorry!" You blurted out, afraid you might have pissed the younger girl off and was about to get thrown out for it.

"No, don't be!" She responded, once more putting her right hand on you, this time on top of your left hand, which was clinging onto your pants above your left thigh. Her touch tensed you up even further, before eventually giving into the feeling of her soft hand touching yours, causing your muscles to relax. You looked at her face, no trace of anger to see, her gaze fixated on you. Your eyes meeting caused her smile to grow wider, which instinctively caused you to smile as well before Yuna continued. "I'll show you mine if you show me yours!" She said, as if it was the most normal thing in the world, a cute smile on her perfect face. Your hand tightened up again.

"I'm sorry?!" You exclaimed again, unable to believe you heard what she said correctly. Is this a dream? You weren't even sure anymore, and pinched yourself, but the pain was certainly real.

"Didn't you read the contract you signed? It's a non-disclosure agreement you know. You can't talk about what happens here today, what do you think that means?" She retorted, asking you with her head tilted, and her brows gathered between her eyes, almost as if asking if you were smart enough to read.

"I skimmed it?" You replied, grimacing at admitting your own incompetence. You could see Yuna's face cringe a little bit at your answer, which caused you to further explain yourself. "I was just so excited to be here, I'd sign anything for it!"

"So you're the hot but impulsive type huh? You're lucky I think that's cute." Yuna sighed, her eyes had drifted downwards, introspectively, before taking another look at you, this time, a smile but with the faintest hint of her pitying you mixed in. Her high-pitch and tension picked up once more. "Well? What's it going to be? Wanna show me yours?" She asked. No mistaking it now. Yuna just asked to see your cock, and you couldn't help but grow rock hard just from the thought of it. Your bulge had started to show through your pants, and Yuna noticed, honing in like a predator on its prey.

"Right, yes. Yes! I'll show you." You replied, not really finding the right words, but enough words to convey the essence of your message. You started unbuckling your belt, and slowly taking off of your pants, dropping it to your ankles, leaving your underwear on. Your bulge was clearly standing upright in your pants now, and you looked at Yuna once more to make sure you weren't misunderstanding.

"Aww, don't go teasing me now, Y/N!" She replied to the inquiry made by your eyes. Your confidence surged, and you started pushing your underwear down, the rim of it clinging against the tip of your rock hard dick before snapping off, revealing the full length of your cock. You were clean shaven down there as well, as you in your delusion like almost any concert-goer, had to be prepared for the impossible. You read somewhere that the lack of a bush makes a cock look bigger, and you wanted to look like you were at peak performance.

"Now that looks delicious." She licked her lips once more, her eyes focused on your stiff cock. "You pass this round, I don't like men with small cocks." She giggled to herself, retaining her smile towards you, as if proud of her compliment.

"Mind if I...?" Yuna asked you, without finishing her sentence, but you responded having a pretty good idea of what she was going to ask. "Please do." You responded, strangely more calm then you were at any given point since setting foot inside this room. Yuna's hand glided over to your cock, and her soft hand wrapped around the base of your cock, grasping it lightly. Her hand was barely gripping at all, a soft touch wrapped around you, before she started to twist and turn her hand up and down slightly. You couldn't help but moan at her touch, before she released your cock, taking her hands back to her side.

"So, you want to see mine now? It's only fair, right?" She asked you, her head tilted slightly downwards, causing her eyes to have to look up at you sitting straight across from you. You gulped your spit down and nodded your head yes. "Alright, but I'll sweeten the deal. I'll even let you touch it if you do a couple of things for me first."

You didn't have to think even a millisecond about it before responding. "I'll do it!" You almost screamed. Yuna chuckled out loud from this, causing her to respond in kind. "You really are impulsive! Very well. The first thing I want you to do is this:" She explained, as she turned around, grabbed her phone behind her on the couch, and unlocked it with her finger before turning on the camera app and extending it towards you. You tilted your head, looking a little confused. She giggled at your failure to understand. "I want you to take a picture of me with your dick in my mouth! Lia isn't here, but she loves updates on us having fun!" She explained. Your eyes widened. Of all the things, this was not what you expected. Wow, this girl is a fucking freak, You thought to yourself, but you were definitely not opposed to it. Your hesitation caused Yuna to speak up again.

"You already said you'd do it, no backing it out now!" She exclaimed, and as if that alone wasn't enough to snap you out of your gaze, she launched herself forward, taking the tip of your dick in her mouth, and looking towards your face, holding her head still there and her eyes clearly smiling. You tilted your head backwards, facing the ceiling, getting lost in the sensations she was bombarding you with, before Yuna pinched your thigh hard, making you aware of your part of the transaction. Her eyes had turned into a scowl towards you. You snapped back, took her phone, pointed it at her face, to which her visage once more bore a big eye-central smile, posing for the camera. You clicked the photo button a couple of times, before Yuna released your cock from her mouth with a big pop.

"Let's see!" She giddily said, as she took her phone back which you gladly extended back to her. "These will do! Thank you, Y/N." she continued.

"You're welcome." You meekly responded, undeniably a little sad your cock was no longer placed in between her lips. "You said there were a couple of things. What else do you need from me?" You inquired, showing you didn't forget and were not impulsive and stupid, just impulsive.

"I haven't been able to shower today, and I don't want to leave you alone like this right now." She replied, looking at you with giant doe eyes, her lip pouting. 

"Okay?" You asked back, not really sure what she was getting at. She smirked at you, then lifted both her hands above her head, exposing her cleanly shaved armpits to you.

"Can't you please clean me up, Y/N?" She asked of you, an irresistible charm in her pleading voice. She wasn't saying it outright, but you believe you knew what she wanted. Or rather even if you were wrong, if she wasn't going to be clear you were going to take your chance to do what you wanted to do.

You brought your head closer to her, inching towards her armpit, as one question from earlier started forming an answer. This deep, slightly sweet smell you found earlier was coming from Yuna. Now inching closer to her, she seemed to still be glistening a bit from fresh sweat still on her. The smell was intoxicating, and you looked at her face before continuing any further, and she had a big smile on her face, urging you to go on.

You extended your tongue outward, touching her armpit, causing her to stifle a small moan, before licking up her sweat. You had never done this before, but you were hooked. The taste was sweet, slightly salty, and her skin tasted refined. One lick turned into two, turned into 4, turned into 10, before moving onto her other armpit, licking that one equally clean as the other, motivating Yuna's moans, until you were certain you hadn't missed a single spot.

"Thank you, Y/N, I feel a lot better now." She admired your willingness. You licked your lips, your eyes now fiercely intent on hers, before you made your first unprompted comment of the night.

"You are fucking delicious, Yuna." You told her, admiring her taste, letting her know you probably enjoyed what you just did more than her. She blushed a little from this, before snapping out of it, and regaining her bubbly, refined aura.

"Well, a deal is a deal!" She giggled at you, her head at 45 degrees, her eyes closed in two half moons and her mouth a big smile. She started pushing off her skirt, attached to her safety shorts, revealing another shocking truth about her. She was wearing no underwear, and she now sat on her knees across from you, legs slightly pushed open as if to lure you in, her clean shaven pussy exposed for you to see.

Your cock throbbed, the sight of such a perfect and pink pussy begging to be devoured by you was almost too much to bear. Your cock grew just that tiny bit more, pulsing, looking ready to burst.

"Oh, you were holding out on me? No fair, Y/N!" Yuna exclaimed, posing one hand over her mouth and using the other to playfully tap you on your shoulder with her other hand.

"I can't help it! Seeing such a delicious pussy, anyone would want to dive right in." You fired back, finding yourself in this erotic groove, growing in confidence. Yuna giggled in response to your admiration. She looked back at you, her eyes ready to devour you, before speaking up again.

"I haven't..." she said, in a soft, whispering voice, having that high-pitched pleading cadence to it. Her eyes started looking down at her own knees, avoiding your eyes. Her knees started to part more ever so slightly, exposing more of her privates. "Been able to clean her either." She finished her sentence before looking back up at you with her head tilted downwards, almost as if begging for you. "Could you please clean me up here as well, Y/N?" She requested of you, her cute charm overwhelming all your senses. She bit her lip at you, sending you over the edge.

You smirked, one corner of your lips arching upwards, before getting up from the couch. You stood in front of her, your cock pointing towards her at her chest level, and before you even had the chance to lower yourself towards her, the girl had leaned forwards, her tongue licking the tip of your dick. Her tongue curled upwards and inwards into her mouth. She proceeded to look up at you, opening her mouth wide and sticking her tongue out with a loud "aaaaaah", showing the strings of pre-cum she had licked up which had been dripping out of your cock because of her provocations.

"You'll have to be clean too for what we do next, Y/N!" She exclaimed proudly, gulping down your liquid while you grew a devious smile. Yuna give your dick a quick peck before telling you "You can continue now, Y/N." You quickly got lost in the thought of grabbing her hair in two pigtails and fucking her face,  but you knew better than to throw away your chances at whatever could happen next here for such a risky play. You lowered yourself onto your knees, placing your hands underneath both of her thighs, and lifting the girl's underside up as to get both her legs off of the couch, and hanging off the edge, as to position yourself in between them. You pulled them apart, giving yourself a clear view of her entrance, causing her to coo at your assertiveness, and pushing her own hips forward for you.

You brought your face ever closer to her pussy, inching towards her. She was wet down there, but not drenched. You picked up another spark of her scent, the same tinge of sweetness but mixed in with a more organic, earthy smell. It was even more intoxicating than the smell of her sweat. You opened your mouth, close to her labia and breathed out onto her, your warm breath causing her to shudder in anticipation. You still felt the sensation of her kiss on your dick, and decided to return the favor. You purse your lips, planting a kiss over top of her clit. Yuna's soft vocalization of a satisfied "hmmmm" let you know you were on the right track, starting slow, and warming up over time.

You stopped the kiss, looked up at Yuna's face, who was staring back at you intensely, her eyes pleading for you to continue. No more words needed to be said, and smirked, reaching your tongue out, flicking it upwards over her clit. Yuna's legs twitched, her eyes jolted shut and her knees buckled around your head, tightening her thighs around your skull. You flicked your tongue again, and now having warmed Yuna up were mostly just rewarded with moans. You picked up your pace, and swapped your flicks from horizontal, to vertical, to letters. Her hands found her way to your hair, and grasped firmly around strands she managed to find, holding on tight to you. 

Yuna's breathing had grown labored, but she still managed to push some words out. "Don't you DARE... fucking stop...!" She moaned out, and you didn't dare defy her command. Your hands grasped her thighs where they could, squeezing tight, as you unleash your final assault. You pursed but your lips around her clit, sucking on it, getting it into your mouth and nibbling on it ever so softly with your teeth. This mixture of pleasure and pain seemed to send Yuna over the edge, as her back arched away from the couch, and her feet lifted up from the floor, her moans rising in pitch as you felt her entire body convulse.

You'd forgotten to breathe for the final part of that, and pulled your head back, gasping for big breaths of air. Yuna slowly opened her eyes, un-arching her back and leaning forwards. Her both hands cupped both sides of your face, squishing your cheeks as she leaned ever closer, licking her lips on her way to you. She kissed you another time on your lips, her lips firmly pressed against yours, before you felt her tongue entering your mouth. You pressed your tongue slightly against hers, wrapping around hers, coiling and twisting in wet ecstasy. Yuna pulled away from the kiss, and stared down at you with a big smile, but her eyes turned totally vixen.

"Hmmm, your lips taste nice when you've made me cum, Y/N." Yuna spoke seductively. You couldn't help but be overwhelmed with desire for this night to never end.

"Your lips taste nice when you're cumming, Yuna." You retorted, turning her own script on her. She giggled, before regaining her posture. She held out both her hands palm upwards, inviting your hands onto hers. You followed her guidance and placed your hands in hers, and she took firm grasp helping you stand up. She crossed her legs in front of you, denying further access to her. She pointed over to a chair with a bag sitting on it.

"Could you go and grab a condom from there, please?" She requested of you. Your mind raced. She hadn't needed a condom before when touching your dick with her hand or mouth. This had to meant you two were going to fuck, right?  Your excitement causes you to do as told without any questioning, turning your back on her and moving towards the bag. It was filled with Yuna's personal items, but you didn't take long to find a condom. You pulled one out, turning around to move towards Yuna again. This time, she surprised you once more, having removed her top, sitting on the couch waiting for you fully nude, her legs crossed and arms spread, leaning on the head of the couch beside her, exposing her pink nipples for you to admire.

Your mouth fell agape, admiring her every curve, curves that had been the subject of tons of speculation they were fake. If you had your phone with you know, you'd have saved the evidence they were all wrong in a heartbeat. You failed to comment anything on her appearance, being dumbfounded by her beauty, which caused her to raise one eyebrow at you, prodding you for a response. Your lack of vocal response causes Yuna to stand upright, her legs crossing over each other, causing her hips to sway, as she walks over towards you. Both her hands reach for your hips as she gets closer, grasping the edges of your shirt, the last piece of clothing you were wearing, and giving it a soft pull upwards. You got the hint, and lifted your arms up, allowing Yuna to take your shirt off, throwing it to the side.

"So what, you're not going to tell me how pretty I am?" Yuna teased you, shaking her head from side to side.  You snapped back to reality, and quickly thought of the best thing to say to remedy this situation.

"You have to be one of the most beautiful women to roam this earth." You spouted out in a panic, causing Yuna to have to hold back her laugh in response to your compliment. Yuna looked at you, and you weren't sure if it was lovingly or pitifully, but it was only for you, and that's all you seemed to care about.

"That's certainly a unique compliment. Calm down, babe. You're doing great, I'm not going to just randomly kick you out." Yuna reassured you, taking the condom out of your hands, placing her teeth on the edge of a corner of the wrapping, tearing it off, pulling it out and figuring out which way was inside out. You couldn't help but have your entire being flutter from her calling you babe, and her reassurance did wonders for you to relax.

"Thank you. You won't regret picking me." You responded, your eyes meeting hers filled with conviction, showing Yuna her words had worked. She smirked at your newfound confidence, handed you the condom, gave you a smile and posed you with a question. "So, how do you want to fuck me?" You accepted the condom, started wrapping it over your dick and gave some thought to her question.

"Hmmmm." You consciously vocalized out loud, making sure Yuna knew you were considering your options, and were not just too stunned to speak. You looked around the room, and couldn't help but focus your attention on the giant make-up mirror against the wall of the room, drawing your attention before being gifted with an idea. In one smooth motion, you picked Yuna up, carrying her bridal style over towards the make-up mirror. Your sudden heroics caused the unexpecting girl to yelp out in surprise, shocked at the sudden shift or impact her words had seemed to have in unlocking your boldness. She quickly held on tight however, enjoying your display of strength.

You planted your right arm firmly under her knees, freeing your hand and using it to toss the chair in front of the mirror to the side, freeing up all of the space in front of it. Yuna licked her lips at the performance you were putting on, and as soon as you put her down facing you in front of the mirror, she decided that this time it was her turn to hold you tight instead of you holding her tight. Her hand had found her way over to your cock, wrapping tightly around it, slowly stroking it back and forth while looking you into your eyes. Her head nodded in the same rhythm as her hand stroked you, causing your breathing to become louder. You weren't about to stop this momentum with a light handjob, and put your both hands on her shoulders, turning her around to face the mirror.

"I'm going to show you just how pretty you look when I'm fucking your brains out, babygirl." You shot back, taking the initiative on the teasing. Yuna's eyes were big, surprised from you spinning her around, and you could see them clearly in the reflection of the mirror. Upon hearing your provocation, she smirked back at you, as if to challenge you. Her eyes were clearly expecting great things from you, but her mouth made it even clearer, asking you to "make me fucking scream." She places her arms onto the counter of the makeup table in front of the mirror, stabilizing herself, arching her back for you as if she knew what to expect.

Your hands planted themselves firmly onto her wide hips, grasping her tightly with your fingers digging into her skin. You pulled her ass a little closer to you, causing her to arch her back further towards you, to which she playfully accepted and wiggled her hips at you, as if to invite you in. You placed your gift-wrapped cock against her mound, sliding it slowly up and down her entrance. You were teasing her, waiting for her to grow impatient for your moment to strike. Her smirk eventually turned into a frown, waiting for you to put yourself inside of her.

"Stop teasing me, Y/N. Start fu-" she had started to say, intending to finish her sentence with "cking me!". Unfortunately for her, you felt like the perfect time to strike would be right as she started saying fuck, causing her voice to grow louder, and scream out further with "UUUUUUUUUUUUUCK". You slammed your hips against her ass with full force, jamming the entire length and girth of your cock into her petite, drenched with anticipation, pristine pussy. Her eyes rolled back into her head, feeling the warmth of your cock pulse inside of her, and you weren't about to let up. Her moans were varying in pitch, her breathing unable to keep up with her voice, as you pulled your cock back until only the tip remained, instantly slamming back into her wet cunt.

"Ugh, ungghh nghhh, FUCK." Yuna kept moaning, unable to lower her voice, and you began to wonder whether or not she'd be heard outside of this room. She was beginning to hunch forward, unable to support herself through your rough slamming of her thin body, so you decided to take a chance and lend her a hand. You moved your left hand from her hips over to her stomach, pulling it closer to you, and your right hand all the way up, around her neck. You put some light pressure on the sides of her neck, before gripping her towards you, and into your body. You placed your head right next to hers, pulling her upwards to you, her arms now too far away from the make-up table to reach, causing her eyes to open, looking surprised at what was happening. She looked into your eyes through the mirror, and you whispered into her ears.

"I promised you I would show you how pretty you looked, so look. I want you to see the goddess that I see when I'm fucking you." you growled in a low, whispering voice, commanding her to follow your lead. She purred, biting her underlip and nodding slowly at you, looking straight ahead as you released the tension on your elbow, continuing to hold your hand around her neck but supporting her arch as you resumed your pounding. You enjoyed the feeling of control you had over her body in this position, but you couldn't help but feel that a slight shift could give you even more access to her weak spots. Her arms were dangling behind her, grabbing onto whatever part of you she could hold on to, but you had better usage in mind for them. You moved your left hand from her stomach onto her left wrist, grabbing it firmly, and once holding tight, did the same with your right. You had stopped pounding for these few seconds to properly get everything in place, causing the girl to look at you through the mirror and ask you "What's wrong? Why did you stop, babe?"

Her calling you babe again ignited something deep inside of you, and you addressed her concern. "I'm going to start really fucking you now." You touted, like a stone-cold killer wanting to intimidate their target. Her eyes panicked, darting to meet yours.

"What do you mean, really fucking me? Hey, wait, what do you-" She tried to ask of you, her arms now bent back behind her as you pulled on them, before you cut her off, slamming your cock so hard inside of her she stumble forwards, her hips getting pressed against the high make-up table, forcing her to lower her stomach onto it, which pulled back into a beautiful curved arch. The tension you forced upon her pushed all the air out of her lungs as she heaved and moaned out of pleasure, still looking at your and her reflection in the mirror. Her mouth was wide open, her tongue clearly showing, as the tip of her eyebrows pushed together into her forehead. She was trying to say something but having trouble pushing it out.

"Cu-... Cum! Fuck, cumming!" She yelled as loud as she could, and you felt her tight walls gripping your cock, making moving harder. Her hips moved upwards, as she was now standing on her toes, her legs trembling through your relentless siege of her womb, but you gave her no reprieve. You kept pounding, even picking up the pace when you felt her cum, like a man possessed by her sex-fueled body. You kept increasing the tension on her arms, pulling her back further and further.

"Nghhh, you're gonna... fucking... break my back! FUCK, ngghhh, don't! Don't stop OHHH" She moaned, her voice cracking as she begged you to continue. You hadn't cum yet, and you had no intention of stopping before you did. You were getting close and Yuna felt it. She used whatever force she had left in her body to push her hips into yours, grinding your cock up and down while you pounded deeper and deeper.

"Fuck, Yuna, I'm gonna cum for you!" You grunted out, moaning behind her, feeling your climax near. Her eyes elated, a slight smile formed, instantly pounded away into submission by your cock, before Yuna started pleading with you.

"Cum for me! Cum deep inside me please! PLEASE please please please-" She begged, a submissive little slut begging for your seed, which was just enough to send you over the edge. You didn't want to cum without her however, and decided to make one last play before reaching the finish line. You leaned forwards, playing on the knowledge you had gotten from what she liked earlier this evening, opening your mouth and protruding your tongue, licking her spine from as far down to the base you could move upwards. She started twitching upon feeling your spit on her back, soon followed by her legs twitching and her pussy tightening. If this wasn't enough to tell you your gamble was a success, her screaming "Yes!" sure was. Your cock pulsed, shooting load after load into the condom inside of her, her walls vibrating rhythmically, as you took in this sensation, almost unable to keep yourself standing during.

After you came, you pulled out of her and took a few steps back. Yuna was now standing on her toes, her entire upper body laying on the make-up table, and her head had turned to face you, but her eyes were momentarily closed. You took in the sight of the half-passed out, fucked silly girl, before dropping back into the couch, taking a seat and a much needed breather.

Yuna had heard you falling down onto the couch, causing her to open her eyes and look towards you. She picked herself up with whatever strength she had, stumbling towards you and falling down onto the couch next to you. She was laying on her stomach, her ass up, red from you crashing into her.

She tilted her head upwards and looked at you, satisfied with your performance and proud of herself for picking you out. Her feet were up in the air, kicking like a giddy schoolgirl, before forming a circle with her left thumb and index finger wrapping around the part of the condom dividing your tip and your cum. She squeezed tight, cutting off any flow, then pulled the condom off of your dick carefully so as not to leak a single drop of cum. She tied a knot at the bottom of the condom to make sure its contents were safe. You looked on as she did this, while her eyes focused on your groin, impressed with the fact that she still had any energy left.

"A souvenir to remind me of you." She murmured, loud enough for you to hear, before grabbing a Ziploc bag and pen that had been lying on the table all evening long, placing your condom inside and writing your name in it and zipping it closed.

"Thank you." You spoke up to her, still unable to believe any of this happened. "This was a once in a lifetime experience for me." You continued, grateful to have been given this chance. Yuna looked back up at you, her head ever so slightly tilted sideways, puzzled at your remark.

"Are you coming to any of our other shows?" She asked you in response, suddenly changing the topic.

"Ehm, actually, I'm coming to see you at your show in two days as well." You replied back ever so confused. You thought she must have felt burdened by your remark and just wanted to get this over with while still being polite.

She smirked the same devious smile you gave her when you pounded the life out of her, and in less than a second had thrown her entire mouth over your cock, her tongue wrapping around your shaft from tip to base, sucking and slurping hard, licking every inch before releasing you with a pop.

"You'll have to be clean for that show too." She taunted you, her voice daring, playful and bubbly all at the same time. "And I wouldn't be so sure about that ‘once in a lifetime’ part." She smiled seductively, her eyes wide open staring deep into your soul. "Your dick tastes nice after you've made me cum, after all."

[foursidecity]

Anyways I think everyone should go watch win or lose, I feel like 90% of what I'm seeing is posts about how they censored a trans character and 10% of people actually praising the show for what it COULD do with what they are given, im not saying disney didn't do a bad or whatever, but it's one thing to to recognize the failings of a greedy corporate entity, and another to completly ignore and degrade the writers and artist that poured their souls into this series and that character

Here's what DIDNT happen:

-Disney didn't remove the trans plot line because of the election, theyre just like that. Theyve done it before theyll do it again regardless of the political climate, don't blame this on trump, blame it on network execs<<this is a fairly new take and it's so stupid. Animation takes time and the editing was done a year before the show released

-the character is still in the show, and will have her own episode still in the next batch of episodes released, we really don't know much information about her now still, and I'm holding out hope theirs even a small refrence to the original storyboard/script. But really at this point we just don't know how much has changed

-disney stepped in, pixar had nothing to do with the changes, only pointing this out because the writers at pixar obviously wanted this character to happen, but disney didn't want that story to be told on their platform, it's important to. You know, know your enemy and not just point fingers at everyone in the vacinity

-Chanel Stewart voiced Kai and is a trans voice actress, I don't see alot of people mentioning her and you should, she put alot into this character and was obviously really upset when her story was changed

This post isn't about letting disney off the hook, by all means pirate it, I actually encourage you to! But how often do you get an animated show about co-ed sports? That's something in it's own right that I'm amazed they were even able to keep in script, how often do writers get to try to make trans storylines that resonate with and include trans people? Even if it didn't go through, we know about it, talk about it!! Spamming 'fuck disney!!!' Under every pixar post isn't doing anything